roseyjehan:

davidtennantspants:

I HAVE SEARCHED ACROSS THE AGES FOR THIS GIFSET

OH GOD THIS IS SO GREAT

(Source: sandandglass, via emilytwist1)

drkarayua:

piertotum-locomottor:

deepthoughtmod:

This guy was the leader of the improv comedy group I was in

who the fuck carries fake blood everywhere

leaders of improv comedy groups obviosuly

drkarayua:

piertotum-locomottor:

deepthoughtmod:

This guy was the leader of the improv comedy group I was in

who the fuck carries fake blood everywhere

leaders of improv comedy groups obviosuly

(via oddoman)

timelordblogging:

allofmylovetess:

dlubes:

clarknokent:

You know she regrets this lmao

watch the whole video. no way she does.

It’s your juicy jewel of flavor, Ring Pop!

WATCH THE FUCKING VIDEO

timelordblogging:

allofmylovetess:

dlubes:

clarknokent:

You know she regrets this lmao

watch the whole video. no way she does.

It’s your juicy jewel of flavor, Ring Pop!

WATCH THE FUCKING VIDEO

(Source: shogunofyellow, via oddoman)

thecursedknight:

owlgoggles20:

Steal His Look: Smitty Werbenjaegermanjensen
Sorry but this look is currently unavailable
It was his hat, Mr. Krabs
He was #1

Oh god this has to be the best one yet

thecursedknight:

owlgoggles20:

Steal His Look: Smitty Werbenjaegermanjensen

Sorry but this look is currently unavailable

It was his hat, Mr. Krabs

He was #1

Oh god this has to be the best one yet

(via sonybaloney)

refreshinglyclassic:

burningoleander:

midnight-emotive:

'if lesbians use dildos why don't they just have sex with a man?'

image

'if straight men like fucking women in the ass why don't they just fuck men?'

Finally, a brilliant response to a dumb question.

(via oddoman)

feelsspiral:

everybodyilovedies:

<3 <3 <3 <3 <3

x100000000000000000000000000000000000000000000000000000000

(Source: iwatchforsasha, via capleesi)

neil-gaiman:

brennanbookblog:

The Ocean at the End of the Lane by Neil Gaiman 
I saw Neil Gaiman a couple months ago at Carnegie Hall. We weren’t hanging out or anything.  He was reading his new book in front of a scrolling powerpoint of macabre sketches, accompanied by a four-piece string quartet.

From Australia.

Obviously.

That’s where I got my autographed copy of The Ocean at the End of the Lane, which I promptly added to an already-teetering pile next to my bookshelf.

I’ve held off on including a Gaiman book here. I’m not sure why because I love Neverwhere and The Graveyard Book, and they equally deserve to be included, but until now I’m not sure I could justly describe the dark humanity that is endemic of Gaiman’s books.

Gaiman writes the stuff of nightmares, and I don’t mean the gruesome horror prevalent in every movie theatre within a five-mile radius. I mean, the real nightmares, the ones that are too sad, too frightening, and too harrowing to admit that we ourselves have -  because to do so would be to admit that we all only had one childhood, we all only have one life, and we are all going to die. The kind of nightmare that makes B movies look like distractions. 

“Harrowing” is a great term to start describing The Ocean at the End of the Lane. A man returns to his childhood home for a funeral, and finds himself reflecting on events of his youth as he sits by a pond behind the farm of his childhood friend. When my friend told me this synopsis, I quickly threw the book in a pile of those-yet-to-be-read and forgot about it. Because reading about a guy going to a funeral isn’t high on my list of interesting plotlines. Is the book about that? No, not at all. And in a way, it’s completely about that.

The book is scary, sure. But what makes it scary is not the dark. What makes it scary is the light. Gaiman, as an adult, writes with the preserved-innocence of a child. If we have forgotten the wonder, the imagination, and the helplessness of our youth, Gaiman has been remembering it for all of us. And it is this that he includes in his books. The Ocean at the End of the Lane is the story between childhood and adulthood. It’s a story that is too scary to remember but too important to forget.

It includes countless gems of childhood wisdom, of worry, of wonder like, “Adults take paths. Children explore.”

And at the end of the book, I’m not sure what just happened. Was it all true? Was it just the fantastical interpretation of a child? But in the end, it doesn’t matter, because Gaiman is still speaking to my very core when he writes: “You don’t pass or fail at being a person, dear.”

And that, my friend, is my biggest nightmare of all.




The kind of reviews that make it worth writing.

neil-gaiman:

brennanbookblog:

The Ocean at the End of the Lane by Neil Gaiman 

I saw Neil Gaiman a couple months ago at Carnegie Hall. We weren’t hanging out or anything.  He was reading his new book in front of a scrolling powerpoint of macabre sketches, accompanied by a four-piece string quartet.
From Australia.
Obviously.
That’s where I got my autographed copy of The Ocean at the End of the Lane, which I promptly added to an already-teetering pile next to my bookshelf.
I’ve held off on including a Gaiman book here. I’m not sure why because I love Neverwhere and The Graveyard Book, and they equally deserve to be included, but until now I’m not sure I could justly describe the dark humanity that is endemic of Gaiman’s books.
Gaiman writes the stuff of nightmares, and I don’t mean the gruesome horror prevalent in every movie theatre within a five-mile radius. I mean, the real nightmares, the ones that are too sad, too frightening, and too harrowing to admit that we ourselves have -  because to do so would be to admit that we all only had one childhood, we all only have one life, and we are all going to die. The kind of nightmare that makes B movies look like distractions. 
“Harrowing” is a great term to start describing The Ocean at the End of the Lane. A man returns to his childhood home for a funeral, and finds himself reflecting on events of his youth as he sits by a pond behind the farm of his childhood friend. When my friend told me this synopsis, I quickly threw the book in a pile of those-yet-to-be-read and forgot about it. Because reading about a guy going to a funeral isn’t high on my list of interesting plotlines. Is the book about that? No, not at all. And in a way, it’s completely about that.
The book is scary, sure. But what makes it scary is not the dark. What makes it scary is the light. Gaiman, as an adult, writes with the preserved-innocence of a child. If we have forgotten the wonder, the imagination, and the helplessness of our youth, Gaiman has been remembering it for all of us. And it is this that he includes in his books. The Ocean at the End of the Lane is the story between childhood and adulthood. It’s a story that is too scary to remember but too important to forget.
It includes countless gems of childhood wisdom, of worry, of wonder like, “Adults take paths. Children explore.”
And at the end of the book, I’m not sure what just happened. Was it all true? Was it just the fantastical interpretation of a child? But in the end, it doesn’t matter, because Gaiman is still speaking to my very core when he writes: “You don’t pass or fail at being a person, dear.”
And that, my friend, is my biggest nightmare of all.

The kind of reviews that make it worth writing.

(via wilwheaton)

inheritedloss:

hey sooooo remember how the police in ferguson were going to start wearing body cameras

the police officers’ union is bringing out every last excuse to keep it from actually happening

actual quote from the article: “This gotcha discipline that we have with the dash board cameras is what we’d be afraid of,” Roorda said.

"gotcha discipline"

basically “any tangible way of holding us accountable for abusing our power is what we’d be afraid of”

(via capleesi)